![]() |
|
|
MUCH
ADO ABOUT NOTHING Festival
Shakespeare du Quercy 2009
As peace breaks out, dashing soldier Claudio is quick to propose to the beautiful Hero, but their celebrations are soon threatened by the scandalous rumours spread by the wicked Don John. Will confirmed singletons Beatrice and Benedick stop sniping at each other long enough to save the day - and perhaps find love themselves, just where they least expect it? Antic
Disposition presents a new production of one of Shakespeare's greatest
comedies - a feast of music, romance and verbal jousting that will delight
and entertain anyone who's ever been in love.
Directors Designer Lighting
Designer Music
Ham & High France,
1945. The war is over, Paris liberated, the Führer toppled and
the victorious returning troops of Don Pedro are looking to conquer
a new and very different (if just as formidable) "The most riotous moments come from the farcical eavesdropping scenes, most notably where Benedick attempts to conceal himself in vain from the match-making plotters." Extra!
Extra! "As the gloaming penetrates the stained glass windows, the mood chimes perfectly with the languid air of one of Shakespeare's sunniest comedies, as maidens arrange flowers and men reflect and drink wine." The
Stage "Anouke
Brook is a fine Beatrice, displaying an innate ease with Elizabethan
English, and capturing the pathos of a woman who, despite her brave
face, fears love may have passed her by. Ashley Cook (Benedick) is a
perfect foil and has genuine charm. "The
famous arbor scene, where the lovers 'accidently on purpose' hear the
secrets of their own hearts, is made fresh by the ingenious use of a
trestle table, a vase, and some tall sunflowers. "The
cast is impressive ... Their singing and dancing, led by the mellifluous
Sophie Cosson (Margaret) is joyous. "Jonathan
Pembroke and James Pellow manage to elicit laughs from the audience
as the (often tedious) Dogberry and Verges: no mean feat. "Damien
Warren-Smith gives a new reading to Don John, conveying a man of mystery
and bitterness, perhaps hardened by the war experience. "But
the real star of the show has to be the setting. How delicious it is
to discover that the derelict St Stephen's, Hampstead, has been restored
to its former gothic grandeur, with cool stone columns and alcoves providing
natural entrances and exits, in a similar vein to the Open Air Theatre
at Regent's Park. Bathed in early summer evening sunshine we, too, are
able to see things in a different light." |
|